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ECHO Marathon Concert
European Organ Journey
Marathon Concert with 32 organists from 17 European organ cities, members of the association European Cities of Historical Organs (ECHO), including:
Alkmaar, The Netherlands
Altenburg, Germany
Brussels, Belgium
Freiberg, Germany
Fribourg, Switzerland
Gothenburg, Sweden
Granada, Spain
Innsbruck, Austria
Leufstabruk, Sweden
Leuven, Belgium
Mafra, Portugal
Olkusz, Poland
Roskilde, Denmark
Tangermünde, Germany
Toulouse, France
Treviso, Italy
Trondheim, Norway
Details from the John Brombaugh (1992) organ in Haga Church, Göteborg, Sweden.
Saturday, October 12, 2024
9:15–9:40
Introductions
9:40–11:30
Johann Sebastian Bach (1685–1750)
Fugue on a theme by Corelli, BWV 579
Aria variata alla maniera italiana, (aria + 10 variazioni), BWV 989
Roberto Antonello, Treviso, Italy, Artistic Director
Benedict Jucker (1811–1876)
(Münsterorganist in Basel and student of Rinck)
Fantaisie und Fuge über BACH
Eugène Thomas (1841–1918)
(French alsacian composer and pupil of a pupil of Rinck)
Trois solos opus 12 for organ
Xinjie Li, Alkmaar, The Netherlands, Young Representative
Jeanne Demessieux (1921–1968)
Lumière from Sept méditations sur le Saint-Esprit
Jehan Alain (1911–1940)
Intermezzo
György Ligeti (1923–2006)
Étude No. 2
Coulée
Aurore Baal, Fribourg, Switzerland, Young Organist
Karl Hoyer (1891–1936)
Die vier Charakterstücke op. 33
I. Christi Geburt
II. Christi Kreuzweg
III. Christus am Kreuze
IV. Christi Auferstehung
Oana Maria Bran, Freiberg, Germany, Young Representative
Martin Herchenröder (*1961)
Zeit raum I: ad fontes
I. Präludium
II.. Intonation
III. Orgel-Punkte
Clemens Lucke, Freiberg, Germany, Artistic Director
13:30–16:10
Franz Liszt (1811–1886)
Weinen, Klagen, Sorgen, Zagen
Variationen over the Basso Continuo from Cantata and Crucifixus from Mass in B-minor, BWV 232 by J. S. Bach
Daniel Beilschmidt, Altenburg, Germany, Artistic Director
Gracia Baptista (fl. 1557?, Spanish Roman Catholic nun and composer who lived in Ávilaa nun, first female composer published in printed music)
Conditor alme from Libro de Cifra Nueva de Luys Venegas de Henestrosa, Alcalá
Antonio de Cabezón (1510–1578)
Diferencias sobre el canto de madama le demanda
[Obras de Música, Madrid, 1578]
Anonymous (17th C. ?)
Españoleta
[Flores de Música de Fray Antonio Martín y Coll, 1708]
Juan Cabanille (1644–1712)
Tiento de Batalla de 5º tono punto baxo
[Ms. 386 Biblioteca de Catalunya, Barcelona, 1722]
Ana Lucia Buzón Rios, Granada, Spain, Young Representative
Francisco Fernández Palero (ca 1533–1597, organist at the Royal Chapel of Granada from 1553)
Passeavase el rey moro
Ave maristella, El contrabajo lleva el canto llano
[Libro de Cifra Nueva, Alcalá, 1557]
Francisco Correa de Arauxo (1584–1654)
Quinto tiento de medio registro de tiple de séptimo tono
Tiento tercero de sexto tono por fefaut sobre la primera parte de la Batalla de Morales
[Facultad Orgánica, Alcalá, 1626]
Juan Maria Pedrero, Granada, Spain, Artistic Director
Jacob Praetorius (1586–1651)
Praeambulum ex F
Camphuysen Ms (fl. 1670)
Three Variations on Daphne
Jan Pieterszoon Sweelinck (1562–1621)
Fantasia Cromatico
Pieter Van Dijk, Alkmaar, The Netherlands, Artistic Director
Samuel Marckfelner (1621–1674)
Sieh mein Herr Gott from Tablature SK-Le 13994 [5A]
- Sieh mein Herr Gott
- Ach mein Herr Gott
- Mein Herz mein Sinn ist fröhlich
- Und weil mein Freud
- Eh dir ich mich mein Herz
Orlando di Lasso (ca 1532–1594)
Veni in hortum meum from Gdańsk organ tablature
Andreas Hakenberger (1574–1627)
Dulcis Jesu pie Deus from Braunsberg from Oliva organ tablature
Anonymous
Gagliarda from Tablature D-B Slg Bohn Ms. mus. 357
Artur Szczerbinin, Olkusz, Poland, Young Representative
Manuel Rodrigues Coelho (ca 1555–1635)
Kirios de 1º tom (5 Verses)
António Carreira (ca 1530–ca 1594)
Canção
Frei Diogo da Conceição (17th c.)
Meio registo de 2º tom
Frei Domingos de São José (17th c.)
Obra de 5º tom
João Vaz, Mafra, Portugal, Artistic Director
Georg Muffat (1653–1704)
Toccata nona
J. P. Sweelinck
Fantasia Crommatica
Kristina Avakian Mikkelsen, Roskilde, Denmark, Young Representative
Heinrich Scheidemann (1595-1663)
Toccata in G, WV 43
Intablature of a motet by Hieronimus Praetorius
Benedicam Dominum in omni tempore, WV 48
Bine Katrine Bryndorf, Roskilde, Denmark, Artistic Director
(Intermission, 20 minutes)
16:40–19:10
Samuel Scheidt (1587–1654)
Fantasia super Ut. Re. Mi. Fa. Sol. La. , SSWV 105 (Tabulatura nova, I, 1624)
Maurizio Croci, Fribourg, Switzerland, Artistic Director
Samuel Scheidt
Modus ludendi pleno organo pedaliter SSWV 157
Johann Kaspar Kerll
Canzona III in d Moll
Johann Ludwig Krebs (1730–1780)
Fantasia à gusto italiano
Johann Sebastian Bach
Komm, Gott Schöpfer, Heiliger Geist, BWV 667
Theresa Heidler, Altenburg, Germany, Young Representative
John Bull (1562-1628)
Een kindeken is ons geboren
Peeter Cornet (ca 1575 – 1633)
Regina Coeli
- Regina coeli
- Quia quem meruisti
- Resurrexit sicut dixit
- Ora pro nobis
Abraham Van den Kerckhoven (1619–1702)
Fantasia in d
Charlène Bertholet, Brussels, Belgium, Young Representative
Peeter Cornet (ca 1575–1633)
Fantaisia octavi toni
Peter Philips (1561-1628)
Fantasia (from Liber Fratrum Cruciferorum, Liège 1617)
John Bull (1562-1628)
Salve Regina
- Salve
- Ad te clamamus
- Eia ergo
- O clemens
- Pro fine
Bernard Foccroulle, Brussels, Belgium, Artistic Director
Petrus Paepen (1662–1717)
Aria in G major
Abraham van den Kerckhoven (1618–1702)
Salve Regina primi toni
Matthias van den Gheyn (1721–1785)
Morceau fugué n°1 in G minor
Pieter de Vos (*1996)
New composition
Marie Petit, Leuven, Belgium, Young Representative
Samuel Scheidt
Toccata In te domine speravi
Hieronymus Praetorius
Wenn mein Stündlein vorhanden ist
David Boos, Tangermünde, Germany, Artistic Director
Franz Danksagmüller (*1969)
Steigleders Variations on Vater unser (1624)
Composed for the Scherer organ in Tangermünde and the anniversary of Johann Ulrich
- 4. Granules
- 5. Noise canvas
- 6. Ambient loops
- 17. Overlays
Olga Minkina, Tangermünde, Germany, Artistic Director
Wedding marches and songs from Leufsta Bruk
Lukas Arvidsson, Lövstabruk, Sweden, Artistic Director
Torbjörn Näsbom, nyckelharpa
19:40–22.20
Charles Tournemire (1870–1939)
Sabbato Sancto op. 56 No. 16
- Offertoire
Dominica Resurrectionis op. 56 No. 17
- Paraphrase et double Choral
Yoann Tardivel, Toulouse, France, Artistic Director
Gabriel Pierné (1863-1937)
3 pieces, opus 29
- Prélude
- Cantilène
- Scherzando
Angela Ede, Toulouse, France, Young Representative
Joaquim dos Santos (1938–2008)
Cinque pezzi per organo (1967)
- I. Preludio
- II. Divertimento
João Vaz (*1963)
Choral prelude Herr Jesu Christ, wahr Mensch und Gott (2017)(commissioned by The Orgelbüchlein Project)
Frederico de Freitas (1902–1980)
Sonata de Igreja (*1963)
- II. Diálogo pastoril
Luís de Freitas Branco (1890–1955)
Choral (1913)
Beatriz Resendes, Mafra, Portugal, Young Representative
Jacques-Nicolas Lemmens (1823–1881)
Marche Pontificale
Joseph Jongen (1873–1953)
Pie Jesu from Three sacred songs
Paul Gilson (1865–1942)
Prélude (sur un vieux lied flamand)
Jules Van Nuffel (1883–1953)
Ego sum panis (un-edited)
Flor Peeters (1903-1986)
Concert Piece (from Concerto for Organ, op 52)
Luc Ponet, Leuven, Belgium, Artistic Director
Henning Sommerro (*1952)
Vårsøg
Eilert Hægeland (1951–2004)
Meditasjon over Lyset over landet
Egil Hovland (1924–2013)
Lux Æterna
Toccata over Nu la oss takke Gud
Tove Kyvik, Trondheim, Norway, Young Representative
Petra Bjørkhaug (*1964)
Improvisation on Eg veit i himmerik ei borg (I know a Castle in Heaven)
Ståle Kleiberg (*1958)
Ascension from Descent and Ascension, commissioned for Orgelfest 2009
Brita Sjöberg, Trondheim, Norway, Artistic Director
Franz Schmidt (1874–1939)
Choral prelude O wie selig seid ihr doch, ihr Frommen
(O how blessed are you, you pious ones)
Anton Heiller (1923–1979)
Kleine Partita über das dänische Lied Den klare sol går ned
(Partita on the Danish song The clear sun is setting)
Lea Graf, Innsbruck, Young Representative
Elias Praxmarer (*1994)
Prelude No. 5
Franz Schmidt (1874–1939)
Toccata in C major
Elias Praxmarer, Innsbruck, Austria, Artistic Director
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