Morning Workshops 2024
I-1. North German Baroque:
Bine Bryndorf
October 14–15, 9:00–11:30
North German Baroque Organ (GOArt: Arvidsson/van Eeken/Yokota 2000)
Henrich Scheidemann (1595-1663):
Intabulations (free choice)
Dietrich Buxtehude (1637-1707):
Chorale fantasias and chorale preludes (free choice)
NOTA BENE
This workshop is now full.
I-2. Johann Sebastian Bach:
David Higgs and William Porter
October 14–16, 9:00–11.30
Söderling organ (1868/Åkerman & Lund 1994)
Selected free and/or chorale-based works chosen by the active participants of this workshop. Please register and submit CV at your earliest convenience and no later than July 1 with a suggestion for repertoire.
Active participants are selected and contacted by July 15. Final decisions regarding choice of repertoire will be made by August 31.
Please note that active participants in this workshop will be able to join the workshops for the second half of the week, from October 17.
NOTA BENE
This workshop is now full for active participants.
It is still possible to observe.
I-3. Frescobaldi: Capricci (1624)
Scheidt: Tabulatura Nova (1624)
Edoardo Bellotti and Joel Speerstra
October 14, 9:00–11:30
Keyboard Collection
October 15, 9:00–11:30
Brombaugh organ (1991)
Girolamo Frescobaldi
(Ed. Suvini-Zerboni, Darbellay; or Ed. Il Levante, Carideo)
From Capricci (1624)
- Capriccio I ut re mi fa sol la
- Capriccio II la sol fa mi re ut
- Capriccio III sopra il cucho
From Fiori Musicali (1635)
- Bergamasca
Samuel Scheidt
From Tabulatura Nova (1624)
(Ed. Breitkopf, Vogel)
- Fantasia ut re mi fa sol la
- Toccata in te Domine speravi
- Fantasia in a
- Echi ad manuale duplex
From manuscripts
(Ed. Breitkopf, Dirksen)
- Bergamasca
II-1. German Romantic Music of the 19th Century
Nathan Laube
October 16–17, 9:20–11:30
Lundén organ (Lundén 1909/Grönlund 2002/Rieger 2019)
October 18, 8:00–10:00
NOTA BENE
Updated time for this event.
Marcussen organ (Marcussen 1861/Åkerman & Lund 2004)
Mendelssohn
Schumann
Ritter
Rheinberger
Brahms
Liszt
Reubke
NOTA BENE
This workshop is now full for active participants.
It is still possible to observe.
II-2. Improvisation: Craft versus Creativity?
Sietze de Vries
October 16, 9:00–11:30
Keyboard Collection
October 17–18, 9:00–11:30
Hammarberg organ (1968)
II-3. Contemporary Music of Britain & North America
Anne Laver and Annette Richards
October 16, 9:00–11:30
Hammarberg organ (1968)
October 17, 9:00–11:30
Willis organ (1871)
October 18, 9:00–11:30
Lundén organ (1909)
This workshop highlights contemporary composers who have taken a compositional journey with the organ, writing multiple pieces for the instrument over the course of their careers.
The following suggested repertoire will be included in a shared drive that students can utilize under the educational fair use policy.
We strongly encourage students to support these composers by purchasing their own scores for pieces they intend to perform. Students may also prepare pieces by these composers that do not appear on the list.
Cecilia McDowall
O Antiphon Sequence
Judith Weir
Tree of Peace
The Trees Unfold
Judith Bingham
Ancient Sunlight
Annunciation IV
Emma Lou Diemer
Valet will ich dir geben from Three Fantasies on Advent Hymns
Psalm 61 and Psalm 103 from Psalms for Organ
Rachel Laurin
Étude Héroïque
Scherzo from Organ Symphony no. 1
Soliloquy from Twelve Short Pieces, volume 2
The workshop will also introduce some of these composers’ anthems for choir and organ.
A World of Tactile Passion and New Sounds - for All!
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